Gosia Wojas is an artist working within a practice-led interdisciplinary research that considers the relation and play of materiality with performativity in the context of the human.
She holds an MFA in Art from University of California, Irvine with a Critical Theory emphasis from UCI's School of Humanities (2022), and a BFA in Fine Art from California Institute of the Arts (2019).
Her writing has been published in: MATTER - Journal of New Materialist Research (University of Barcelona, 2023), Flat Journal (University of California, Los Angeles, 2022), and Material-i-ty (2021).
Wojas has recently participated in research conferences at the Research Institute Facta Ficta (Department of Comparative Studies of Civilization at the Jagiellonian University and the Institute of Linguistics and Literary Studies at Siedlce University), Poland (2024); the Institute of Philosophy, at KU Leuven in Belgium (2023); and the World Ethical Data Forum (2022), among others.
Her work has been shown at the Arte Laguna, Arsenale Nord, Venice, Italy (2024), University Art Gallery at UC Irvine, and Phase gallery Los Angeles, Cyfroteka, Poland (2022), ONE Archives gallery in Hollywood (collab. with Emily Lucid), UCLA New Wight Biennial (2021), Fluxus festival at the MAK Center, CalArts Dance festival at Geffen Contemporary (2019), among others.
Between the years of 2011-2021 Wojas founded and run The Absent Museum and Projekt Papier, organized talks, readings, screenings and collaborated on workshops, working within a conceptually-based social practice. Her projects were shown at CalArts, Valencia (2019), Łaźnia Art Center, Gdańsk, Poland (2018), Feminist Center for Creative Work, Los Angeles (2016), Souterrain, Hoffmann Collection, Berlin, Germany (2012; hosted by Cara Benedetto), and the Printed Matter LA, among others.
All images and texts © Gosia Wojas 2024
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She holds an MFA in Art from University of California, Irvine with a Critical Theory emphasis from UCI's School of Humanities (2022), and a BFA in Fine Art from California Institute of the Arts (2019).
Her writing has been published in: MATTER - Journal of New Materialist Research (University of Barcelona, 2023), Flat Journal (University of California, Los Angeles, 2022), and Material-i-ty (2021).
Wojas has recently participated in research conferences at the Research Institute Facta Ficta (Department of Comparative Studies of Civilization at the Jagiellonian University and the Institute of Linguistics and Literary Studies at Siedlce University), Poland (2024); the Institute of Philosophy, at KU Leuven in Belgium (2023); and the World Ethical Data Forum (2022), among others.
Her work has been shown at the Arte Laguna, Arsenale Nord, Venice, Italy (2024), University Art Gallery at UC Irvine, and Phase gallery Los Angeles, Cyfroteka, Poland (2022), ONE Archives gallery in Hollywood (collab. with Emily Lucid), UCLA New Wight Biennial (2021), Fluxus festival at the MAK Center, CalArts Dance festival at Geffen Contemporary (2019), among others.
Between the years of 2011-2021 Wojas founded and run The Absent Museum and Projekt Papier, organized talks, readings, screenings and collaborated on workshops, working within a conceptually-based social practice. Her projects were shown at CalArts, Valencia (2019), Łaźnia Art Center, Gdańsk, Poland (2018), Feminist Center for Creative Work, Los Angeles (2016), Souterrain, Hoffmann Collection, Berlin, Germany (2012; hosted by Cara Benedetto), and the Printed Matter LA, among others.
All images and texts © Gosia Wojas 2024
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