03. Complex systems
A result of a multi-year research into the materiality of a hyperfeminine companion robot this body of work traces methodical feminist intervention into the coded data sets populated with a ‘master-slave’ rhetoric to probe at algorithmic notions of emancipation, control, and autonomy. By bridging various systems of classification from social, cultural, and technological domains, the exhibition confronts the collapsing boundaries of intimacy and agency within human-machine relations and algorithmic landscapes.
A result of a multi-year research into the materiality of a hyperfeminine companion robot this body of work traces methodical feminist intervention into the coded data sets populated with a ‘master-slave’ rhetoric to probe at algorithmic notions of emancipation, control, and autonomy. By bridging various systems of classification from social, cultural, and technological domains, the exhibition confronts the collapsing boundaries of intimacy and agency within human-machine relations and algorithmic landscapes.
2022
Two single channel videos with audio, CRT monitor, vinyl, studio stands, chromalux prints on aluminum, custom marble and limestone pedestals, custom type font silicone, steel.
Prints: 54in x 36in x 12in each, 6 in total
Wall text: Approx. 4ft x 18ft
Vinyl grid: Approx. 5ft. x 11ft. x12.5ft.
Images: Yubo Dong/ofstudio
University Art Gallery, University of Irvine
Two single channel videos with audio, CRT monitor, vinyl, studio stands, chromalux prints on aluminum, custom marble and limestone pedestals, custom type font silicone, steel.
Prints: 54in x 36in x 12in each, 6 in total
Wall text: Approx. 4ft x 18ft
Vinyl grid: Approx. 5ft. x 11ft. x12.5ft.
Images: Yubo Dong/ofstudio
University Art Gallery, University of Irvine