performativity, proximity, mimesis, materiality, melancholy, entanglement, embodiment, corporeality, capital
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@studiowojas
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02.23 - 24, 2023
Conference:
Metamorphoses of Mimesis: Plasticity, Subjectivity and Transformation
with Catherine Malabou,
organized by Institute of Philosophy at KU Leuven, Belgium
12.03.22-01.07.23
Intimate Things
Phase Gallery
Los Angeles, CA
04.23 - 05.07’22
Complex systems
UAG gallery
University of California, Irvine
01’22
Touching-Touched
Essay published in journal for
theoretical and critical texts on emerging media in the arts
@FlatJournal
Issue 2
07’21
Material-i-ty / Material-and-you
Small volume book with essay contributions by Cara Benedetto, Farrah Karapetian and Anthony Leslie
01.24 & 01.31’21
Long Beach, CA
GLAMFA CSULB
New dates for manifeso writing workshops: CARE AS DISCIPLINE; co-organized with A.Baginski and Silvi Naçi
10.11 & 10.25’20
Los Angeles, CA
UCLA New Wight Biennial
HOPE AS DISCIPLINE -manifesto writing workshop; organized in collaboration with A.Baginski and Silvi Naçi
04.14’19
Valencia, Ca
California Institute of the Arts
The Absent Museum
Madin Lopez, ProjectQ
(curatorial)
07’18
Gdańsk, PL
Łaźnia Contemporary Art Center
Symptomatic Eruptions of the Avant Garde: Martine Syms, Stanya Kahn, Mary Reid Kelley and Patrick Kelley, Kim Schoen (curatorial)
05’16
Los Angeles, CA
Feminist Center for Creative Work
Against the Grain: experimental films by Polish women artists; discussion by Aniko Imre and Eve Oishi (curatorial)
performativity, proximity, mimesis, materiality, melancholy, entanglement, embodiment, corporeality, capital
You and I are supporting “along the walls” in the play, 2021
Single channel projection with audio, curtain, two chairs, two speakers, 25min. Overall size variable.
The work focuses on a human simulation model in an attempt to examine the mimetic subject-object relationship, asking if in our computational age of self-gazing, endless curation and exhibition, is human entanglement with objects reconstituting the experience of intimacy and understanding of reality, and what does this love affair with technology mean for a subject.
Room Gallery, UC Irvine.
Images: Paul Salveson
